“Company,” a renowned Sondheim creation, has long been celebrated for its cleverly woven songs and poignant insights into relationships. However, the current Chicago production at the Cadillac Palace Theatre falls short of its illustrious reputation. This rendition, directed by Britney Coleman, lacks the vibrancy and emotional depth that marked its predecessors.
While “Company” initially shined with a series of witty songs underpinned by meaningful dialogues, this production seems overcrowded, losing focus and clarity. The dialogue, crucial in delivering the thematic essence of the show, feels diluted amidst the reordering of songs over the years.
A notable change is the gender reversal of the lead character to “Bobbie,” a black woman amidst a predominantly white cast. This interpretive choice, while bold, raises questions about the universality of the marriage experience across different genders and racial backgrounds. However, the production doesn’t delve into these complexities, missing an opportunity for deeper exploration.
The staging, a critical component of the show’s visual narrative, also disappoints. The once vibrant and visible orchestra is now relegated to a smaller band in the pit, with the upper half of the stage left empty and unutilized. This stark contrast to the New York staging diminishes the show’s visual appeal.
Moreover, despite their individual talents, the cast fails to convey a sense of close-knit camaraderie essential to the storyline. This lack of perceived intimacy among the characters detracts significantly from the overall impact of the performance.
In conclusion, while “Company” in Chicago retains some of the vital staging elements that have traditionally made the production effective, it ultimately fails to deliver a thoroughly engaging and emotionally resonant theatrical experience. The result is an underwhelming production, meriting a modest 2 out of 4 stars.
